Sat 9 November 2013 // 16:00 / Cinema
Bringing together rare film screenings of key works from the golden age of UK horror, with an exclusive line up of musicians/bands influenced by them, Unearthing Forgotten Horrors is a celebration of horror in music and film.
Presenting North East (and English) premieres by outsider artists who operate on the occult fringes of the musical underground, Unearthing Forgotten Horrors, draws together a very special bill of eerie drones, psychedelic noise, and classic horror films rarely screened in cinemas featuring:
At an impressionable age Northern Irish musician and visual artist James R. Moore was drawn to a diet of late night TV horror double bills, VHS video nasties with pulsating electronic soundtracks and the Weird Fiction of H P Lovecraft.
These influences now pervade the eerie sound world of Black Mountain Transmitter, most notably on cult releases "Black Goat Of The Woods" (2009) and "Playing With Dead Things" (2012), the first two instalments of a loosely themed 'Trilogy of Terror'.
Black Mountain Transmitter albums have been released by US label Auris Apothecary (aurisapothecary.org), Aurora Borealis (aurora-b.com) and Moore's own Lysergic Earwax ( www.lysergicearwax.bandcamp.com ).
Unearthing Forgotten Horrors marks the first live performance of Black Mountain Transmitter in England (and indeed outside the island of Ireland).
English Heretic is a creative occult organisation dedicated to the reification of malefic energy spectres and the adumbration of a modern qliphoth. In operation since 2003 English Heretic has ploughed the topsoil of horror film locations to reveal a delirious substrata of mythic truths.
They have reported back their findings through numerous CDs, books, talks and performances of ritual electronics.
Lovers of drone and brain frying noise should need no introduction to Lee Stokoe's prolific Culver project. A member of Skullflower, Inseminoid and Indian Lady, Culver's sound perfects pitch black, tar-thick drones and crushingly heavy soundscapes which are genuinely sinister. Through many releases, often micro-editions on seriously cool labels, a consistently macabre approach is applied sound and visuals across a mind-boggling body of atmospheric and horror obsessed work.
The Psychogeographical Commission was formed at the start of 2008 to explore the many interfaces between the built environment and the people who inhabit it through d￩rive, magick and sonic experimentation. http://psychcomm.bandcamp.com/
Drawing influence from the experimental scores to Jon Pertwee era Doctor Who, thirty year old horror soundtracks and with massive splurges of psychedelic noise, The Dead End Street Band pull no punches delivering their scum noise dirge. Fixated on the sleazier end of 70's horror cinema, this elusive three-piece rumble through some genuinely nightmarish soundscapes and hellish synth drones. Several handmade editions on their own imprints and on Indiana's Occult Supremacy label have seen the band develop from home-made electronica through to pitch black, ultra morbid soundtracks from non-existent scuzzfests found in the darker recesses of underground cinema.
Joseph Curwen makes HP Lovecraft inspired ambient evil drone, based on that weird bit between life and death the day after a big party. All digital noise intended.
Tickets: £9.00 in advance from We Got Tickets: http://www.wegottickets.com/event/230122
The first 50 tickets include an exclusive handmade CDr mixed by Melmoth the Wanderer, featuring all of the artists on the Unearthing Forgotten Horrors bill.